E.O.2 Expanded optics vol.2 / the wrong Biennale No6
海外のデジタルアートシーンでも活躍するJIKAN Design代表の鍛冶周作が「先進的な映像表現やオーディオビジュアルアートを実際に多くの人に観てもらいたい」という思いから2年に1度、大阪京町堀にて映像作品を上映する企画。2021年の第１回につづき今年で2回目の開催となります。今回も世界最大のデジタルアートビエンナーレ「the wrong Biennale No6(https://thewrong.org/)」の関連イベントとして行われます。
JIKAN Design's representative, Shusaku Kaji, who is active in the overseas digital art scene, has organized a biennial event in Osaka Kyomachi-Hori to showcase avant-garde visual expressions and audiovisual art to a wide audience. Following the first edition in 2021, this year marks the second edition. The event will once again be held as a joint event of the world's largest digital art biennale, "the wrong Biennale No6." (https://thewrong.org/)
E.O.2 (Expanded Optics 2)+E.T.9 - JIKAN Design | ジカンデザイン
KAF Digital programme autumn 2023
The Living/LeavingRoom ambiguity describes a function of an immersive projection environment in which the image lives in infinite transformations and the experience finishes when the projection ends. We watch the virtual spectacle immersed in a space that embodies appearance/disappearance, where the evanescent horizon makes it impossible for the image to be entirely subordinated to the gaze.
Raven Kwok’s dynamic and electrifying work in combination with Kenichi Yoneda’s contemplative and organic prints, constructed around poetic transformations of form, demonstrate the potential of this space and explore the different forms of life within it.